Incubator Series
About the Incubator
Experiments with New Artists & New Ideas
The Incubator at A Red Orchid Theatre was created to get to know emerging talent, encourage dreaming, and foster exploration in Chicago’s theatre community. Leading with curiosity, it provides artists with the space, stage, and time to incubate new work, new artistic relationships, and new artistic forms. A Red Orchid’s ensemble maintains the conviction that live theatre is the greatest sustenance for the human spirit, and that passionately committed artists will draw passionately committed audiences. The Incubator is an active manifestation of that conviction and of A Red Orchid’s mission to cultivate new audiences for the modern stage.

The 2025-26 Incubator Program is made possible by the generous support of
The Richard H. Driehaus Foundation.
Season 2026-27 Incubator Projects to be announced...
Previous Incubator Projects
Abuela’s Follies
ABUELA’S FOLLIES
by Kidany Camilo
A workshop production presented by The Vivero
Directed by Raquel Torre
August 10 – 23, 2026
Abuela, a Puerto Rican matriarch, is summoned into purgatory, which looks like her own kitchen. Inhabiting a hot young body reminiscent of a classic cabaret star, she is guided by a mysterious entity to undergo a trial if she wants an escape. The only caveat is, the audience gets to vote at the end of the trial and decide where she is destined to go. Will she find a way out to heaven or…
SPEECHaLICIOUS: a new musical
SPEECHaLICIOUS: a new musical
by Gloria Imseih Petrelli
Music by Dan Poppen, Eduardo Curley Carrillo, and the ensemble
Directed by Maiya Corral
Featuring Gloria Imseih Petrelli, Omer Abbas Salem, Eduardo Curley Carrillo, Carisa Gonzalez, Colin Morgan, Nick Druzbanski, and Sahar Dika and stage managed by Amal Salem
It’s the morning of Sectionals, but how is the Sweetwood High Speech Team supposed to focus on getting to state between crushes, college applications and the looming specter of the Bush administration’s repression? What does it mean to be on the Speech team when speech is under attack?
Steam your blazer and put on a smile, because that’s show biz (speech team) baby. We’ll see you on the bus.
We Tell Each Other Stories
WE TELL EACH OTHER STORIES
by Katherine Gwynn
Directed by Dinah Berkeley
Featuring Julia Alvarez, Jojo Brown, Sonia Goldberg, Laney Rodriguez, and Wisterman
Stage Managed by Milla Guerra
Women Off-Colour
WOMEN OFF-COLOUR
Featuring Anelga Hajjar, Alondra Rios, and Mantra
Infinity Burns
INFINITY BURNS
by Felix Abidor
Directed by Patrick Starner
Cast: Faiz Siddique (Bruno), Guy Wicke (Bellarmine), Grant Brown (Paul), Julian “joolz” Stroop (Hermes), Cam Frontain, Evelyn Wohlbier, Gardy Gilbert, and Noelle Oh (Infinite)
Production Team: Martina Logan (Stage Manager), Macy Mateer (Assistant Director/Dramaturg), Riley Woods (Lighting Designer), Ethan Korvne (Composer & Sound Designer), Brandii Champagne (Scenic Designer), Kotryna Hilko (Costume Designer), Aja Singletary (Movement Designer), James Cullinane (Fight Choreographer), Grace Archer (Assistant Dramaturg), Hope Campbell (Graphic Design)
August 3 – 17, 2025
Pretty Shahid
PRETTY SHAHID
by Omer Abbas Salem
Directed by Laura Alcalá Baker
Featuring Omer Abbas Salem, Gloria Imseih Petrelli, Sahar Dika, H. Adoni Esho, Debo Balogun, Sarah Price, Em Modaff, and Yourtana Sulaiman.
June 29 and 30, 2025
A young Iraqi immigrant is hit in the head with a thrown bottle the day after 9/11 and he wakes up sounding just like his favorite American – Julia Roberts. As he and his family navigate the racist days that followed the tragic day, he uses his new voice and lost memory to become more American. This is a play about assimilation and what we choose to forget about ourselves to fit in. It’s a romantic comedy, though. And gay. And has singing and dancing, just like any Julia Roberts movie, but way more political resistance. Please join us for some culture, comedy, and an uprising!
The H Twins
THE H TWINS
by Hope Campbell
Featuring Hope Campbell Gundlah, Tess Cameron Gundlah, Timothy Weinert, Jennifer Jelsema, and Meghan Maureen McDonough
March 3-5, 2025
Identical twins Hilda & Helga are the blonde-haired, blue-eyed ideal- at least according to Uncle M, the researcher-turned-father-figure who supervises their highly controlled children’s home in 1940s Germany. After accidentally being exposed to American movies and music, the H Twins become convinced they’re destined to be vaudeville stars. But as they develop their song-and-dance acts and fret about impending adulthood, they grow less and less identical- and more and more questioning of their “ideological education” and the experiment in which they’ve been raised. The twins tell their story via a darkly funny, musical, reality-bending variety show.
The Worm My Sister
The Meat Machine presents A Red Orchid Incubator production of
THE WORM MY SISTER
Conceived of and directed by Ramona Rotten
Devised and performed by The Meat Machine
Featuring Lynda Cortez, Sam Hurwitz, Kelsey Rich, John Francis Klingle, Quinn Leary, Melissa Jane Carlson, Paul Brennan, Lou Smith & Emily Cobb
December 5 – 15, 2024
Zac Efron
Token Theatre presents the World Premiere of
ZAC EFRON
By David Rhee & Wai Yim
Directed by Alan Muraoka
Featuring Hansel Tan, Wai Yim & Gordon Chow with special appearances by Cheryl Hamada & Wai Ching Ho
June 20 – July 21, 2024
Zac Efron glimpses into a world that is rarely seen on the American stage: two Asian Americans looking for love and the complexities that come with their adventures. It is a poignant opportunity for radical self-acceptance through YouTube, tarot readings, and of course, one of America’s favorite sweethearts, Zac Efron. Hold onto your harness and clutch your pearls, it’s gonna be a wild ride!
The Receptionist
Kalliope & Co. presents
THE RECEPTIONIST
By Adam Bock
Directed by Kyle Stoffers
Featuring AROT Ensemble Member dado with Jessica Ervin, Jacob Alexander & Dano Duran
May 15 – June 2, 2024
At the start of a typical day in the Northeast Office, Beverly deals effortlessly with ringing phones and her colleague’s romantic troubles. But the appearance of a charming rep from the Central Office disrupts the friendly routine. And as the true nature of the company’s business becomes apparent, The Receptionist raises disquieting, provocative questions about the consequences of complicity with evil.









