Incubator Series
About the Incubator
Experiments with New Artists & New Ideas
The Incubator at A Red Orchid Theatre was created to get to know emerging talent, encourage dreaming, and foster exploration in Chicagoâs theatre community. Leading with curiosity, it provides artists with the space, stage, and time to incubate new work, new artistic relationships, and new artistic forms. A Red Orchidâs ensemble maintains the conviction that live theatre is the greatest sustenance for the human spirit, and that passionately committed artists will draw passionately committed audiences. The Incubator is an active manifestation of that conviction and of A Red Orchidâs mission to cultivate new audiences for the modern stage.

The 2025-26 Incubator Program is made possible by the generous support of
The Richard H. Driehaus Foundation.
Season 2025-26 Incubator Projects
WE TELL EACH OTHER STORIES
by Katherine Gwynn
Directed by Dinah Berkeley
Workshop of new play with public staged readings
February 2026
Maire spins the thread, Mara measures the thread, and Moira cuts the thread: these are the sisters’ roles and have been since before they knew what memory, or an oat milk latte, was. But when they lose the thread on the way to delivering it to a not-yet-born Hero, the sisters must retrace their steps through space, time and possibility in a desperate effort to get back on track. If they fail, they might have to choose their own fates, a reality they’re not entirely ready to traverse.

Katherine Gwynn (they/them) writes about the bloody heartbeats between the divine and abject. Gwynn is the winner of the 2022 UCROSS + The Blank Theatre â Future of Playwriting Prize and a 2023 Venturous Fellowship Nominee. Gwynn also won the 2015 Jane Chambers Student Playwriting Award and 2nd place for the EMOS Ecodrama Playwrights festival 2022. Their work has been developed/produced by Prometheus Theatre, Refracted Theatre, Red Theatre, Flint Rep, Jackalope Theatre, and The Great Plains Theatre Conference. Other selected honors: 2024 Playwrights Center Core Writer Finalist, 2021 Eugene O’Neill National Playwrights Conference Finalist and 2x Semi Finalist, 2x Bay Area Playwrights Festival Finalist and 4x Semi-Finalist, and 2x Princess Grace Playwriting Fellowship Semi-Finalist.Â

Dinah Berkeley (they/them) has a taste for the odd. Their work is steeped in experimental, physical and devised theatre-practices and made up of only the freshest and most organic ingredients: mime, clown, puppetry and other similar flavors. Their work has been consumed globally from San Francisco to Edinburgh, New York City to El BolsĂłn, on stages such as St. Annâs Warehouse, HERE Arts Center, Ars Nova, Actorâs Theatre of Louisville, American Conservatory Theatre, Improv Olympic, the streets of the Edinburgh Fringe Festival, in many a living room and even on Zoom! Donât let their lack of awards fool you. Â
SPEECHaLICIOUS
by Gloria Imseih Petrelli
Developmental workshop of new script with workshop presentation
May/June 2026
It’s 2002 in the south suburbs of Chicago, the Sweetwood High School Speech Team is heading to Sectionals! But between crushes, college applications and George Bush, co-Presidents Hanna the Boy and Hanna the Girl can barely enjoy their senior year. What are two Middle Eastern kids to do when the walls are caving in and the smell of freedom fries becomes too much?
Steam your blazer and put on a smile, because that’s show biz (speech team) baby. We’ll see you on the bus.

Gloria Imseih Petrelli (she/they) is a Chicagoland born and based theatre artist working as an actor, playwright, and intimacy choreographer.  Find out more at www.thegloriaimseihpetrelli.com. Gloriaâs art is informed and strengthened by the tenacity of her community–Free Palestine.Â
ABUELA'S FOLLIES
by Kidany Camilo
Workshop Production
July/August 2026
Abuela, a Puerto Rican matriarch, is summoned into purgatory, which looks like her own kitchen. Inhabiting a hot young body reminiscent of a classic cabaret star, she is guided by a mysterious entity to undergo a trial if she wants an escape. The only caveat is, the audience gets to vote at the end of the trial and decide where she is destined to go. Will she find a way out to heaven orâŠÂ

Kidany Camilo [pronounced /âkidaniâkamilÉ/] (pronouns any and all) is a multi-hyphenate theatre artist (Performer, Director, Teacher, Deviser, and Playwright) in Chicago, IL. Originally from BayamĂłn, Puerto Rico, this chameleon-like artist is a graduate from the University of South Florida with a BA in Theatre Arts, and Purdue University with an MFA in Acting. Their work is often haunted: by history, by family, by us. Their stories fight structure, make space for mess, and for a future that hasnât been written yet. Their inspiration comes from Lorca, queerness, ancestors, and the ghosts that follow us, and the ones we chase back.Â








